Sparagmos

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In Sparagamos, The Fall (c. 1966), a miniature figure is fleeing the collapse of its universe. Its small scale recalls the Oriental tradition where the human figure is a significant if nearly invisible feature that adds a human element of consciousness to an otherwise vast and empty landscape. It is the work of the artist to restore to this Adamic being his rightful creative identity and stature – his transcendent vision. http://www.davidgeorgetaylor.com

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